
a project-based introduction to the technologies of book-making across the Mediterranean
in the late medieval and early modern world
we explore how conservation scientists analyze the materiality of books
to establish dating, location, pigments, inks, parchment, paper, and bindings.
we discover the distinct practices of embodied knowledge
by reverse-engineering and making a manuscript book using historical methods
we connect our findings to the long cultural histories of book technology over the last five hundred years
experience the synergies of art, science, and the humanities
as we take apart, study, and make books